Serbian Drama ‘Who Are We’ Shines a Light on Bullying, Takes Home Major Awards at Sarajevo Industry Days

‘Who Are We’ Captures Hearts and Critical Acclaim at Sarajevo Industry Days

The vibrant and dynamic atmosphere of Sarajevo Industry Days, a crucial platform for emerging filmmakers and established industry professionals alike, played host to the impactful Serbian drama “Who Are We” (original title: “Ko smo mi”). The film, which boldly confronts the pervasive issues of bullying and peer violence among adolescents, not only resonated deeply with audiences and critics but also emerged as a significant winner at the prestigious event. Securing multiple accolades, “Who Are We” has cemented its position as a powerful voice in contemporary European cinema, promising to spark vital conversations about the psychological and social challenges faced by young people today.

The film, directed by the talented newcomer Ana Petrović, delves into the complex dynamics of a Serbian high school where social hierarchies are rigidly enforced, and ostracism can be a daily reality for those perceived as different. Petrović, a graduate of the Faculty of Dramatic Arts in Belgrade, brings a raw, unflinching, yet ultimately empathetic perspective to the screen. Her directorial vision is characterized by its keen observation of adolescent behavior, its nuanced portrayal of emotional turmoil, and its avoidance of simplistic resolutions. “Who Are We” doesn’t shy away from the harsh realities of bullying – the insidious whispers, the exclusion, the physical intimidation, and the profound psychological scars left behind.

The narrative centers on a group of teenagers navigating the treacherous landscape of adolescence. At its core is Marko, a quiet and introspective student who finds himself the target of a relentless bullying campaign orchestrated by a charismatic but manipulative classmate, Stefan. Marko’s struggles are mirrored by those of his peers, some of whom are complicit in the abuse through their silence, while others bravely, though often perilously, attempt to intervene. The film masterfully explores the ripple effect of such violence, demonstrating how it impacts not only the victims but also the perpetrators and the wider school community.

One of the film’s greatest strengths lies in its authentic portrayal of the characters. The screenplay, penned by Jelena Marković, avoids archetypes, instead presenting a gallery of complex individuals wrestling with their own insecurities, desires, and moral quandaries. The young cast delivers performances that are both naturalistic and emotionally charged, imbuing their characters with a palpable sense of vulnerability and resilience. Their interactions feel genuine, capturing the awkwardness, the fleeting moments of camaraderie, and the underlying anxieties that define teenage life.

The decision to focus on bullying and peer violence is a timely one. In an era increasingly dominated by social media, where cyberbullying has become an insidious extension of traditional schoolyard abuse, “Who Are We” serves as a crucial reminder of the enduring impact of interpersonal aggression. The film’s exploration of these themes is not merely observational; it actively seeks to understand the root causes of such behavior, examining the pressures placed upon young men to conform to certain notions of masculinity, the desire for social acceptance, and the fear of becoming a victim oneself.

Sarajevo Industry Days: A Launchpad for Global Cinema

Sarajevo Industry Days, an integral part of the renowned Sarajevo Film Festival, is renowned for its dedication to fostering talent and supporting film projects from Southeastern Europe and beyond. This year’s edition was particularly significant, drawing a diverse array of industry professionals, including producers, distributors, festival programmers, and critics, all eager to discover and champion new voices. The event’s focus on industry-building workshops, pitching sessions, and networking opportunities provides an invaluable platform for filmmakers to connect with the global market.

“Who Are We” was a standout at the event, participating in the Co-Production Market and pitching its project to a panel of international experts. The film’s powerful subject matter and Petrović’s confident presentation clearly struck a chord. The accolades it received are a testament to its artistic merit and its potential to engage a broad audience with a crucial social message.

The film walked away with several key awards, including the highly coveted “Best Project in Development” award, recognizing its strong narrative, compelling characters, and the director’s clear vision. This award is particularly significant as it often comes with financial support and mentorship to help bring the project to fruition. Furthermore, “Who Are We” also received a special mention from the jury for its “unflinching exploration of contemporary social issues and its commitment to authentic storytelling.” These awards not only validate the film’s artistic quality but also signal its strong potential for international distribution and festival success.

Themes of Resilience and Hope in the Face of Adversity

While “Who Are We” unflinchingly portrays the destructive nature of bullying, it is not a film that wallows in despair. Petrović and Marković have deliberately woven threads of resilience and hope throughout the narrative. The film highlights the strength found in solidarity, the courage it takes to speak out, and the profound impact of empathy.

One of the film’s most moving aspects is its depiction of unexpected alliances forming in the face of adversity. Characters who might initially seem disparate find common ground in their shared experiences or their desire to create a more inclusive environment. The film suggests that even within the most challenging social structures, there are individuals who possess the moral compass and the fortitude to challenge the status quo.

The journey of Marko, the protagonist, is central to this exploration of resilience. While he initially succumbs to the isolation and fear inflicted by the bullying, his character arc charts a course towards self-discovery and a growing sense of agency. The film’s climax doesn’t necessarily offer a fairy-tale ending, but rather a realistic portrayal of the ongoing struggle for self-acceptance and the gradual process of healing. It emphasizes that confronting and overcoming such deeply ingrained issues is a continuous effort, requiring support from both within and outside the affected community.

The film’s success at Sarajevo Industry Days is expected to open doors for “Who Are We” to secure further funding for its post-production and a wider release. The industry buzz surrounding the film suggests a strong international market for its powerful message. It is anticipated that “Who Are We” will not only find its audience in Serbia but also resonate with viewers across the globe who recognize the universal nature of the challenges it addresses.

The Director’s Vision: A Call for Empathy and Understanding

Ana Petrović, in her acceptance speeches and subsequent interviews, has emphasized her personal motivation behind the film. Having witnessed the devastating effects of bullying during her own formative years and in the experiences of those around her, she felt a deep-seated responsibility to shed light on this critical issue. Her aim was not to sensationalize violence but to foster a deeper understanding of the psychological damage it inflicts and the societal factors that contribute to its prevalence.

“We wanted to create a film that is honest and reflective of the experiences of many young people,” Petrović stated. “Bullying is not just an act of aggression; it is a manifestation of deeper societal issues, including a lack of empathy and understanding. ‘Who Are We’ is our attempt to start a conversation, to encourage viewers to look beyond the surface and to recognize the humanity in everyone, even in those who inflict pain.”

The film’s visual language is equally deliberate. Petrović and her cinematographer have employed a cinéma vérité style, utilizing natural lighting and handheld camera work to create an intimate and immersive experience for the viewer. This approach allows the audience to feel as though they are present in the classrooms, the hallways, and the homes of these teenagers, witnessing their struggles firsthand. The film’s soundtrack, which blends contemporary Serbian music with atmospheric scores, further enhances the emotional weight of the narrative.

The critical reception in Sarajevo has been overwhelmingly positive, with many reviewers praising the film’s authenticity and its timely relevance. Critics noted the film’s ability to balance its serious subject matter with moments of genuine warmth and adolescent humor, preventing it from becoming overly didactic or bleak. The performances of the young cast were consistently highlighted as a major strength, with particular praise for the actors portraying Marko and Stefan for their nuanced and compelling portrayals.

The Road Ahead: Impact and Future Potential

The success of “Who Are We” at Sarajevo Industry Days is more than just an individual triumph; it represents a significant achievement for Serbian cinema and for filmmakers tackling challenging social themes. The awards received are expected to propel the film onto the international festival circuit, where it will undoubtedly continue to spark dialogue and foster a greater awareness of the pervasive issue of bullying.

The film’s creators are hopeful that “Who Are We” will serve as a catalyst for change, encouraging schools, parents, and communities to take proactive steps in addressing and preventing bullying. By humanizing the victims and exploring the complexities of the perpetrators, the film offers a more holistic approach to understanding and combating this pervasive problem.

As “Who Are We” prepares for its wider release, the anticipation is palpable. It stands as a testament to the power of cinema to illuminate the human condition, to challenge societal norms, and to inspire empathy and understanding. The Serbian drama, born from a desire to speak truth to difficult realities, has not only won accolades but has also earned a place in the hearts of those who believe in the power of film to make a difference. Its journey at Sarajevo Industry Days is just the beginning, and its impact on the conversation surrounding youth mental health and social responsibility is likely to be profound and far-reaching. The film’s success serves as a beacon of hope for emerging filmmakers who are dedicated to using their art to address the most pressing issues of our time, proving that impactful storytelling can indeed win hearts and minds on a global stage.